Laud to the Nativity - Ottorino Respighi * Like Mendelssohn's "Elijah" and Haydn's "The Creation", this is a work that is generally performed in English to English-language audiences. Some words will be changed. * The markings below are indicated by Page : System : Bar. For instance, 5:2:3 means page 5, second system, third bar. * The Chamber Singers will sing through page 39. Masterworks will begin at page 40. SA - 5:2:3 - Put an eighth rest after the second note SA - 6:2:1 - Put an eighth rest after the fifth note TB - 6:2:3 - Put an eighth rest at the end of the bar T - 7:1:2 - Cut off the tied-over eighth note and put in an eighth rest SB - 7:2:2 - Put an eighth rest after the second note A - 7:2:2 - Put an eighth rest after the first note TB - 8:1:1 - Put an eighth rest before the last note A - 8:1:1 - Breathe at the end of the bar A - 8:1:2 - Breathe after the sixth note S - 8:1:2 - Put an eighth rest after the second note T - 8:2:2 - Put an eighth rest after the second note B - 8:2:1 - Put an eighth rest after the first note SA - 8:2:2 - Cut the dot off the third note and put in an eighth rest ATB - 9:1:1 - Put an eighth rest before "de" SAT - 9:1:3 - Breathe after the second note SATB - 9:2:2 - Put an eighth rest after the second note SA - 10:1:2 - Put an eighth rest after the first note TB - 10:1:2 - Put an eighth rest at the end of the bar SATB - 10:2:2 - Put an eighth rest after the first note SATB - 11:1:1 - Put an eighth rest at the end of the bar S - 11:2:2 - Put an eighth rest after the first note AT - 11:2:3 - Put an eighth rest at the end of the bar TB - 15:1:1 - Put an eighth rest at the end of the bar. Do the same for the next two bars. TB - 15:2:2 - Put an eighth rest at the end of the bar TB - 16:1:1 - Put an eighth rest at the end of the bar T - 16:2:2 - Put an eighth rest after the first note B - 16:2:2 - Put an eighth rest at the end of the bar TB - 17:1:1 - Put an eighth rest after the first note. Do the same for the next three bars. T1B1 - 21:1:1 - Put an eighth rest before the last note T2B2 - 21:1:1 - Breathe before the second-to-last note B1 - 22:1:1 - Put an eighth rest at the end of the bar B1 - 22:1:3 - Put an eighth rest after the second note SATB1 - 29:1:1 - Put an eighth rest at the end of the bar B1 - 29:1:3 - Put an eighth rest at the end of the bar B2 - 29:1:3 - Put an eighth rest before the last note SAT - 29:2:1 - Put an eighth rest before "te" TB - 33:2:1 - Cut the dot off the second-to-last note and breathe instead SATB - 34:2:2 - Put an eighth rest at the end of the bar TB - 36:2:1 - Put an eighth rest after the third note T - 38:1:2 - Put an eighth rest after the second note SA - 40:1:1 - The first two staffs are SA, not S1S2 SATB - 40:2:3 - Cut off the first tied-over note and insert a quarter rest S - 41:1:1 - Put a quarter rest after the first note SATB - 41:2:6 - Cut off the first tied-over note and insert a quarter rest SATB - 42:1:4 - Cut off the first tied-over note and insert a quarter rest ST - 46:2:3 - Put a quarter rest at the end of the bar SAT - 47:1:4 - Cut off the dot on the third note and insert an eighth rest B - 47:2:1 - Put a quarter rest at the end of the bar S - 47:2:2 - Put an eighth rest at the end of the bar A - 47:2:2 - Put a quarter rest after the first note T - 47:2:2 - Cut off the dot on the third note and insert an eighth rest ATB - 48:1:1 - Put an eighth rest at the end of the bar. Do the same for the next three bars. SAB - 48:2:4 - Put a quarter rest at the end of the bar T - 49:1:2 - Put a quarter rest at the end of the bar SAB - 49:1:4 - Put a quarter rest at the end of the bar T - 49:2:2 - Put a quarter rest at the end of the bar B - 49:2:4 - Put a quarter rest at the end of the bar SA - 50:2:1 - Put a quarter rest before "lau-" B - 51:1:1 - Put a quarter rest at the end of the bar T - 51:1:1 - Put an eighth rest at the end of the bar S - 51:1:2 - Cut off the dot on the third note and insert an eighth rest ST - 51:2:1 - Put a quarter rest at the end of the bar AB - 51:2:2 - Put a quarter rest after the first note SA - 52:1:1 - Put a quarter rest at the end of the bar TB - 52:1:2 - Put a quarter rest after the second note SA - 52:1:2 - Put an eighth rest at the end of the bar. Do the same for the next two bars. TB - 52:2:1 - Put an eighth rest after the second note TB - 52:2:2 - Put an eighth rest after the second note and the last note SA - 53:1:2 - Put a quarter rest at the end of the bar TB - 53:2:1 - Put a quarter rest before the last note T - 53:2:2 - Put a quarter rest at the end of the bar SATB - 54:1:1 - Sing "Gloria in excelsis Deo!" instead of "Glory to God in the highest" through page 61 T - 54:1:3 - Put a quarter rest before the last note SA - 54:2:1 - Put a quarter rest at the end of the bar SATB - 55:1:2 - Put a quarter rest at the end of the bar s - 55:2:1 - Put a quarter rest at the end of the bar T - 55:2:2 - Put a quarter rest at the end of the bar TB - 57:2:4 - Put a quarter rest at the end of the bar SAT - 58:1:4 - Put an eighth rest after the second note B - 58:2:2 - Put an eighth rest after the first note ST - 58:2:4 - Put an eighth rest after the second note ATB - 59:1:1 - Put an eighth rest before the last BEAT SAT - 59:1:4 - Put an eighth rest at the end of the bar B - 59:2:2 - Put an eighth rest at the end of the bar SAT - 59:2:4 - Put an eighth rest at the end of the bar B - 60:1:1 - Put an eighth rest after the first note T - 60:1:4 - Put an eighth rest after the first note B - 60:2:1 - Put an eighth rest at the end of the bar A - 60:2:3 - Put an eighth rest after the first note T - 60:2:4 - Put an eighth rest after the second note A - 61:1:3 - Put an eighth rest after the second note T - 61:1:4 - Turn the first half note into a quarter note and an eighth note with an eighth rest SATB - 61:2:2 - Put an eighth rest at the end of the bar